• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Az Samad Lessons

Guitar, Ukulele and Music Lessons

  • About
  • Lessons
  • Music Reviews
  • Book, Video & Course Reviews
  • Podcast
  • Creative Fridays
  • Store
  • Contact

Philosophy

How Do You Pick Your Guitar Picking Technique?

May 25, 2016 by azsamadlessons Leave a Comment

HOW DO YOU PICK YOUR GUITAR PICKING TECHNIQUEI’ve been practicing picking and researching about different picking concepts. Here are some thoughts I’ve had about it so far (an incomplete list):

The kind of pick technique you choose is for:
1) Tone
2) Speed
3) Volume
4) Efficiency (or not)
5) Relaxation (or not)

It depends on:
1) Guitar Style
2) Acoustic vs. Electric Guitar
3) Clean vs. Overdriven vs. Distorted vs. heavily effected guitar tone
4) Touch (do you pick hard or pick gently)

Some elements that can change the tone and technique:
1) Edge Picking (and the exact angle)
2) Pick Slanting
3) String Hopping (whether it occurs or not)
4) Your choice of pick
a) Pick Material
b) Pick Size
c) Pick Gauge
d) Pick Shape
e) Pick Colour
5) Alternate Picking
6) Sweep Picking/Economy Picking/Consecutive Picking
7) Picking position
8) Floating vs. anchored vs. different points of contact
9) Caring about string noise and sympathetic string resonance and muting (or not)

The way I see it is that you should examine the kind of sound you’re going for and then see how others have done it successfully.

Then, by analyzing what your guitar heroes have done, you may find what can work for your own technique. There’s not a single correct way to do it, instead there are many different possibilities. What you can do is to experiment and see what works for you. Decide what sound or tone that you’re going for and really zoom into the details that make that sound possible. A lot of it will be actual physical technique (how you play) and another part will be getting the right gear to enable you to get the sound.

Be careful not to get obsessed about the gear part as you can just keep buying stuff and not actually practicing.

Also, be careful not to forget the gear that will help you get closer to the sound you’re after. If you want to shred, get the right kind of solidbody electric guitar. If you want to play jazz, get some kind of hollowbody or semi hollow guitar if needed. For me, my favourite guitar for jazz is my nylon string Takamine EN60c – I just love how it sounds.

It’s all about finding a balance. In the end, always remember that practice and studying how you create the sound is what will make you sound better. Keep working at it. Good luck!

Now, I’d love to hear from you!

  • How did you learn to pick on guitar?
  • What are your biggest discoveries that helped you to pick better?
  • What’s your biggest problems when practicing picking?

Leave your answer in the comments below. Remember to share as much detail as possible so that we can all learn from one another. Your insight may help another guitarist someone from across the world.

Thank you for reading and for hanging out here. Be back again soon!

Best wishes,
Az

—-

A version of this post was originally published on Facebook here on March 22 2016, 11:14am.


 

Join my newsletter to get more guitar playing tips & lessons!

* indicates required


Filed Under: Guitar Technique, Philosophy, Practice Secrets Tagged With: guitar picking techniques, how to practice guitar, jazz guitar, jazz guitar techniques, practice, right hand exercises, string hopping, troy grady

  • « Go to Previous Page
  • Go to page 1
  • Interim pages omitted …
  • Go to page 111
  • Go to page 112
  • Go to page 113
  • Go to page 114
  • Go to Next Page »

Primary Sidebar

Sign Up For Free Guitar & Music Tips!

Search for a topic, review or lesson:

Recent Posts

  • Ulasan Video: Guitar Jamming Samad Lefthanded Vol. 1, Vol. 2 & Vol. 3 oleh Samad Lefthanded
  • Musical Exercises Review: Bebop II-V Phrases, All The Things You Are Etude, Solar Etude (Melodic Minor Modes) and Green Dolphin Street Solo Arrangement by Cecil Alexander
  • Book Review: In the Mystery: A Deconstruction of the Harmony, Melody, Compositions and Improvisations of Allan Holdsworth by Brett Stine
  • Book Review: The George Benson Method Pocket Book Vol.2 – Minor II, V, I Ultimate Lines
  • Book Review: The George Benson Method Pocket Book Vol.1 – Major II, V, I Ultimate Lines by George Benson & Peter Farrell

Categories

  • Ask Az (2)
  • Beyond Music (87)
  • Blues Guitar (9)
  • Book Reviews (177)
  • business book (21)
  • Chord Melody (37)
  • Composition (29)
  • Course Reviews (15)
  • Creative Fridays (14)
  • Fingerstyle Guitar (24)
  • grant cardone (1)
  • Guitar Chords (108)
  • Guitar Scales (90)
  • Guitar Shopping (3)
  • Guitar Technique (235)
  • Gypsy Jazz (9)
  • Interviews (20)
  • Jazz (84)
  • Jazz Guitar (180)
  • Jazz Guitar Harmony (63)
  • Jazz Guitar Harmony (134)
  • Licks (155)
  • Music Business (7)
  • Music Review (28)
  • Music Theory (144)
  • News (4)
  • Philosophy (114)
  • Practice Secrets (262)
  • Reviews (10)
  • Rhythm Lessons (24)
  • Strategi Bina Kerjaya Muzik (5)
  • Transcription Set Review (6)
  • Ukulele (3)
  • Ulasan Filem (1)
  • Ulasan Video (1)
  • Uncategorized (17)
  • Video Games (3)
  • Video Lessons (104)

Recent Posts

  • Ulasan Video: Guitar Jamming Samad Lefthanded Vol. 1, Vol. 2 & Vol. 3 oleh Samad Lefthanded
  • Musical Exercises Review: Bebop II-V Phrases, All The Things You Are Etude, Solar Etude (Melodic Minor Modes) and Green Dolphin Street Solo Arrangement by Cecil Alexander
  • Book Review: In the Mystery: A Deconstruction of the Harmony, Melody, Compositions and Improvisations of Allan Holdsworth by Brett Stine
  • Book Review: The George Benson Method Pocket Book Vol.2 – Minor II, V, I Ultimate Lines
  • Book Review: The George Benson Method Pocket Book Vol.1 – Major II, V, I Ultimate Lines by George Benson & Peter Farrell

Copyright © 2023 · Genesis Sample on Genesis Framework · WordPress · Log in